Fescennine was a character that I developed in the mid 1990s. I tore her name from a chemistry dictionary that I was reading. Later I found out that apart from its scientific definition, it had another meaning. It meant obscene poetry. Fescennine was suitable for a strong female character, someone who was willing to take control of her life by eliminating her oppressors.
For a long time her name loomed in my mind until a friend of mine asked me to write a poem for a short film idea that he was working on. The concept behind the film was he’d give me a few of his favourite lines from a famous hard-boiled writer, Jim Thomas, from the 1920s for me to use in my poem. When I finished writing, the plan was to have a woman read the poem. We could then use the narrative as the backbone of the film as we shot our images.
I began by pasting the photocopied lines down in my journal. I found out later that this approach to creative writing was known as cut-up and was made famous by cult writer William S. Boroughs. By leaving space between each line, I gave myself room to rough out the story.
As I wrote between the lines of the Jim Thomas pull-quotes, Fescennine began to materialize. It was like the words and phrases began to mold her, shape her, give her life. It wasn’t pretty. Her story was monstrous and vicious.
The film never happened but the story remained. For a long time I hoped to shoot that film, it kept getting put off and deayed. A friend of mine who agreed to be Fescennine in the film modelled for me in a photo shoot. Out of a hundred photos that I shot, this one, in my opinion, captures the essence of Fescennine’s character.
